Christian Duguay was born in 1958 in Magpie, small canadian village. Director of "The Art of War" (2000), director and camera operator of "Screamers" (1995), editor and composer of "Satanic Question" (1982).

Blue-eyed Irish actor who brings passion and intensity to his screen characters, more than a few of whom have been wildeyed visionaries. A graduate of London's Royal Academy of Dramatic Art and an acclaimed Shakespearean actor, O'Toole debuted on film in The Savage Innocents (1959), but shot to stardom in the title role of Lawrence of Arabia (1962), earning an Academy Award nomination to boot. It's possible he'll always be associated with the role of T. E. Lawrence (though, ironically, he was a secondary choice, replacing Albert Finney); his intensely credible portrayal of this desert dreamer is one of the most dynamic in movie history. He's had no trouble moving on, however, to other larger-than-life roles, and has in fact earned another six Oscar nominations for playing King Henry II in both Becket (1964, opposite Richard Burton) and The Lion in Winter (1968, opposite Katharine Hepburn), the shy schoolteacher in the musical Goodbye, Mr. Chips (1969), a wacked-out British lord who thinks he's Jesus Christ in The Ruling Class (1972), maniacal movie director Eli Cross (inspired, O'Toole said, by David Lean) in The Stunt Man (1980), and washed-up, Errol Flynn-ish movie swashbuckler Alan Swann in the sweetly comic My Favorite Year (1982), With it all, O'Toole has yet to win an Academy Award! An admitted alcoholic, O'Toole squandered his fame (and, some say, his talent) on many projects clearly beneath his abilities. Nonetheless, he remains a compulsively watchable actor whose presence brings color (and some measure of respectability) to any film or TV project in which he appears. In 1985 he lent his voice to a series of animated features about Sherlock Holmes. Among his television ventures: the miniseries "Masada" (1981), a 1983 remake of Svengali with Jodie Foster, a 1984 remake of Kim, Crossing to Freedom (1990), and The Dark Angel (1992). In 1992 he published his first volume of memoirs, "Loitering With Intent," which was greeted with rave reviews.

This quiet brunette beauty went from bit parts to full-fledged stardom over a decade's time-but got more attention from her exposure in bikinis and wet T-shirts than she ever did for her performances. The former model started her movie career in minor roles in The Knack, and How to Get It (1965), Roman Polanski's Cul-de-Sac (1966), and Casino Royale (1967). She made more of an impact on audiences when she lost her bikini top during a surfside romp in The Sweet Ride (1968), and pictures of Bisset sans halter surfaced in just about every magazine shortly thereafter. Suddenly a hot commodity, Bisset toiled in many movies of varying quality, including Bullitt, The Detective (both 1968), Airport and The Grasshopper (both 1970). Her striking good looks and sophisticated manner occasionally landed her more significant parts, notably as the female lead in François Truffaut's Oscar-winning Day for Night (1973), playing an actress recovering from a nervous breakdown. Bisset appeared in The Life and Times of Judge Roy Bean (1972) and Murder on the Orient Express (1974) before making a splash, so to speak, as the wet-T-shirted heroine of The Deep (1977). She deserved better; although she had by this time become a capable actress, she was mired in unfortunate pictures such as The Greek Tycoon (her character modeled after Jackie O.), Who Is Killing the Great Chefs of Europe? (both 1978), and Inchon (1982). Like many other actresses, she finally decided to try producing her own vehicles, and succeeded with Rich and Famous (1981). Bisset's subsequent films include Class (1983) and John Huston's Under the Volcano (1984). Since then she has appeared on-screen sporadically, trying her hand at comedy (in 1989's Scenes From the Class Struggle in Beverly Hills in addition to appearing in the quasi-exploitational Wild Orchid (1990).

Willett is a native of British Columbia, where he was trained in Meisner and Stanislavski acting techniques and starred for four seasons in the popular Canadian series "Madison" (1993) Eventually, film and television work brought him to Los Angeles where he has continued to play diverse characters such as a hippie headshop owner opposite Vincent D'Onofrio in the independent feature film Steal This Movie (2000). He chased monsters throughout New York in hopes of breaking the big story as reporter 'Tucker Burns' in the Sci-Fi Channel series, "The Chronicle" (2001) based on the 'News from the Edge' series of books. He also took on the challenge of telling the true story of a New York stockbroker turned cattle rancher in Nothing Too Good for a Cowboy (1998) (TV) for director Kari Skogland who also recruited Willett to appear in her short film “Nature Boy", produced by Wesley Snipes. His television credits include “The X-Files”, “Charmed” and a recurring role on “Jack & Jill”. Most recently, Chad starred opposite Academy Award winner Vanessa Redgrave in the Hallmark Hall of Fame production of Locket, The (2002) (TV), based on Richard Paul Evans's best-selling novel of the same title. Willett plays Michael Keddington, a troubled young man who befriends a lonely woman living in an assisted-care facility where he works. She teaches him important life- lessons about faith, trust and forgiveness.

American actor born 1949, in Snyder, Texas. Leading man of the American stage, TV, and films. He made a strong presence in some films in the 80s, but he was most successful on TV. He won an Emmy award as Best Actor for his performance in the TV movie Guyana Tragedy: The Story of Jim Jones (1980).

Dark, handsome, and intelligent leading man who, never content to play the matinee idol, undertook a variety of ambitious projects instead, on both sides of the camera. He made his American screen debut in the all-star WW2 melodrama The Young Lions (1958). In 1961 he tackled the difficult role of the defense attorney in the sprawling war-crimes epic Judgment at Nuremberg for which he won a Best Actor Oscar. While he continued to appear in such crowd-pleasers as the caper flick Topkapi (1964) and the wartime thriller Counterpoint (1968), Schell explored other aspects of filmmaking, producing an adaptation of Kafka's The Castle in 1968 and writing, producing, and directing a film of Turgenev's First Love in 1970. 1974's The Pedestrian which Schell wrote, produced, directed, and starred in, was nominated for a Best Foreign Language Film Oscar. During the 1970s he seemed to appear in just about every picture made that had anything to do with World War 2, from the Eichmann-based drama The Man in the Glass Booth (1975; Oscar nomination) to the epic adventure A Bridge Too Far to the battlefield gorefest Cross of Iron to the personal-heroism tale Julia (all 1977; Oscar nomination for the last-named). In 1984 he made Marlene a fascinating documentary on the legendary Dietrich, with whom he'd costarred in Nuremberg-but at the last minute, the actress refused to appear on camera. Schell turned this to his advantage, using only his audio interviews with her to create an artistic, elegiac film. In 1990 he played a small, wonderfully comic part in the gangster-movie parody The Freshman Then in 1992 he played Lenin in the acclaimed TV movie Stalin In 1993 he directed and costarred in the family-oriented telefilm Candles in the Dark